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GRADED POETRY GRADED POETRY VARIOUS Produced by Juliet Sutherland Amy Overmyer and PG Distributed Proofreaders GRADED POETRY SEVENTH YEAR Edited By: Katherine D. Blake Principal Girls' Department Public School No. 6 New York City and Georgia Alexander Supervising Principal Indianapolis Indiana 1906 INTRODUCTION
Poetry is the chosen language of childhood and youth. The baby repeats words again and again for the mere joy of their sound: the melody of nursery rhymes gives a delight which is quite independent of the meaning of the words. Not until youth approaches maturity is there an equal pleasure in the rounded periods of elegant prose. It is in childhood therefore that the young mind should be stored with poems whose rhythm will be a present delight and whose beautiful thoughts will not lose their charm in later years. The selections for the lowest grades are addressed primarily to the feeling for verbal beauty the recognition of which in the mind of the child is fundamental to the plan of this work. The editors have felt that the inclusion of critical notes in these little books intended for elementary school children would be not only superfluous but in the degree in which critical comment drew the child's attention from the text subversive of the desired result. Nor are there any notes on methods. The best way to teach children to love a poem is to read it inspiringly to them. The French say: "The ear is the pathway to the heart." A poem should be so read that it will sing itself in the hearts of the listening children. In the brief biographies appended to the later books the human element has been brought out. An effort has been made to call attention to the education of the poet and his equipment for his life work rather than to the literary qualities of his style. * * * * * CONTENTS
FIRST HALF YEAR Good Name _William Shakespeare_ From "Love's Labor's Lost". _William Shakespeare_ From "Richard II" Act II Sc. I _William Shakespeare_ Jog on Jog on _William Shakespeare_ The Downfall of Wolsey _William Shakespeare_ The Noble Nature _Ben Johnson_ Song on a May Morning _John Milton_ O God our Help in Ages Past. _Isaac Watts_ The Diverting History of John Gilpin _William Cowper_ Bannockburn _Robert Burns_ My Heart's in the Highlands _Robert Burns_ The Solitary Reaper _William Wordsworth_ Sonnet _William Wordsworth_ "Soldier Rest!" _Walter Scott_ Lochinvar _Walter Scott_ The Star-Spangled Banner _Francis Scott Key_ Hohenlinden _Thomas Campbell_ The Harp that Once through Tara's Halls _Thomas Moore_ Childe Harold's Farewell to England _George Noel Gordon Lord Byron_ The Night before Waterloo _George Noel Gordon Lord Byron_ Abide with Me _Henry Francis Lyte_ Horatius at the Bridge _Thomas B. Macauley_ SECOND HALF YEAR Early Spring _Alfred Lord Tennyson_ Sir Galahad _Alfred Lord Tennyson_ The Charge of the Light Brigade _Alfred Lord Tennyson_ Ring out Wild Bells. From "In Memoriam" _Alfred Lord Tennyson_ A Christmas Hymn _Alfred Domett_ Home Thoughts from Abroad _Robert Browning_ Pheidippides _Robert Browning_ A Song of Clover _Saxe Holm_ Song of Love _Lewis Carroll_ Scythe Song _Andrew Lang_ White Butterflies _Algernon Charles Swinburne_ Recessional. A Victorian Ode _Rudyard Kipling_ To a Waterfowl _William Cullen Bryant_ The Death of the Flowers _William Cullen Bryant_ Thanatopsis _William Cullen Bryant_ From "Woodnotes" _Ralph Waldo Emerson_ Daybreak _Henry Wadsworth Longfellow_ The Fiftieth Birthday of Agassiz _Henry Wadsworth Longfellow_ Hymn to the Night _Henry Wadsworth Longfellow_ Longing _James Russell Lowell_ The Finding of the Lyre _James Russell Lowell_ Waiting _John Burroughs_ Columbus _Joaquin Miller_ Evening Songs _John Vance Cheney_ A Vagabond Song _Bliss Carman_ Old Glory _James Whitcomb Riley_ Kavanagh _Henry Wadsworth Longfellow_ Biographical Sketches of Authors * * * * * SEVENTH YEAR--FIRST HALF WILLIAM SHAKESPEARE ENGLAND 1564-1616 Good name in man and woman dear my lord Is the immediate jewel of their souls: Who steals my purse steals trash; 'tis something nothing; 'Twas mine 'tis his and has been slave to thousands; But he that filches from me my good name Robs me of that which not enriches him And makes me poor indeed. --"OTHELLO" Act II Sc. 3. * * * * * When daisies pied and violets blue And lady-smocks all silver-white And cuckoo-buds of yellow hue Do paint the meadows with delight. --"LOVE'S LABOR'S LOST" Act V Sc. 2. * * * * * This royal throne of kings this scepter'd isle This earth of majesty this seat of Mars This other Eden demi-paradise; This fortress built by Nature for herself Against infection and the hand of war; This happy breed of men this little world This precious stone set in the silver sea Which serves it in the office of a wall Or as a moat defensive to a house Against the envy of less happier lands; This blessed plot this earth this realm this England. --"RICHARD II" Act II Sc. 1. * * * * * Jog on jog on the foot-path way And merrily hent the stile-a: A merry heart goes all the day Your sad tires in a mile-a. --From "WINTER'S TALE." * * * * * The Downfall of Wolsey Farewell! a long farewell to all my greatness! This is the state of man: to-day he puts forth The tender leaves of hopes; to-morrow blossoms And bears his blushing honors thick upon him; The third day comes a frost a killing frost; And when he thinks good easy man full surely His greatness is a ripening nips his root And then he falls as I do. I have ventured Like little wanton boys that swim on bladders This many summers in a sea of glory But far beyond my depth: my high-blown pride At length broke under me; and now has left me Weary and old with service to the mercy Of a rude stream that must forever hide me. Vain pomp and glory of this world I hate ye: I feel my heart new opened. O how wretched Is that poor man that hangs on princes' favors! There is betwixt that smile we would aspire to That sweet aspect of princes and their ruin More pangs and fears than wars or women have: And when he falls he falls like Lucifer Never to hope again. --From "HENRY VIII." * * * * * BEN JONSON ENGLAND 1574-1637 THE NOBLE NATURE It is not growing like a tree In bulk doth make man better be; Or standing long an oak three hundred year To fall a log at last dry bald and sere; A lily of a day Is fairer far in May Although it fall and die that night-- It was the plant and flower of Light. In small proportions we just beauties see And in short measures life may perfect be. * * * * * JOHN MILTON ENGLAND 1608-1674 SONG ON A MAY MORNING Now the bright morning star day's harbinger Comes dancing from the east and leads with her The flowery May who from her green lap throws The yellow cowslip and the pale primrose. Hail bounteous May that dost inspire Mirth and youth and warm desire! Woods and groves are of thy dressing Hill and dale doth boast thy blessing. Thus we salute thee with our early song And welcome thee and wish thee long. * * * * * ISAAC WATTS ENGLAND 1674-1748 O God our help in ages past Our hope for years to come Our shelter from the stormy blast And our eternal home: Before the hills in order stood Or earth received her frame From everlasting Thou art God To endless years the same. A thousand ages in Thy sight Are like an evening gone; Short as the watch that ends the night Before the rising sun. Time like an ever-rolling stream Bears all its sons away; They fly forgotten as a dream Dies at the opening day. O God our help in ages past Our hope for years to come Be Thou our guard while troubles last And our eternal home. * * * * * WILLIAM COWPER ENGLAND 1731-1800 THE DIVERTING HISTORY OF JOHN GILPIN John Gilpin was a citizen Of credit and renown A trainband captain eke was he Of famous London town. John Gilpin's spouse said to her dear 'Though wedded we have been These twice ten tedious years yet we No holiday have seen. "To-morrow is our wedding day And we will then repair Unto the Bell at Edmonton All in a chaise and pair. "My sister and my sister's child Myself and children three Will fill the chaise; so you must ride On horseback after we." He soon replied "I do admire Of womankind but one And you are she my dearest dear Therefore it shall be done. "I am a linendraper bold As all the world doth know And my good friend the calender Will lend his horse to go." Quoth Mrs. Gilpin "That's well said; And for that wine is dear We will be furnished with our own Which is both bright and clear." John Gilpin kiss'd his loving wife; O'erjoyed was he to find That though on pleasure she was bent She had a frugal mind. The morning came the chaise was brought But yet was not allow'd To drive up to the door lest all Should say that she was proud. So three doors off the chaise was stay'd Where they did all get in; Six precious souls and all agog To dash through thick and thin. Smack went the whip round went the wheels Were never folks so glad The stones did rattle underneath As if Cheapside were mad. John Gilpin at his horse's side Seized fast the flowing mane And up he got in haste to ride But soon came down again; For saddletree scarce reach'd had he His journey to begin When turning round his head he saw Three customers come in. So down he came; for loss of time Although it grieved him sore Yet loss of pence full well he knew Would trouble him much more. 'Twas long before the customers Were suited to their mind When Betty screaming came downstairs "The wine is left behind!" "Good lack!" quoth he--"yet bring it me My leathern belt likewise In which I bear my trusty sword When I do exercise." Now Mistress Gilpin (careful soul!) Had two stone bottles found To hold the liquor that she loved And keep it safe and sound. Then over all that he might be Equipp'd from top to toe His long red cloak well brush'd and neat He manfully did throw. Now see him mounted once again Upon his nimble steed Full slowly pacing o'er the stones With caution and good heed. But finding soon a smoother road Beneath his well-shod feet The snorting beast began to trot Which gall'd him in his seat. "So fair and softly" John he cried But John he cried in vain; That trot became a gallop soon In spite of curb and rein. So stooping down as needs he must Who cannot sit upright He grasp'd the mane with both his hands And eke with all his might. His horse who never in that sort Had handled been before What thing upon his back had got Did wonder more and more. Away went Gilpin neck or nought; Away went hat and wig; He little dreamt when he set out Of running such a rig. The wind did blow the cloak did fly Like streamer long and gay Till loop and button failing both At last it flew away. Then might all people well discern The bottles he had slung; A bottle swinging at each side As hath been said or sung. The dogs did bark the children scream'd Up flew the windows all; And every soul cried out "Well done!" As loud as he could bawl. Away went Gilpin--who but he? His fame soon spread around "He carries weight! he rides a race! 'Tis for a thousand pound!" And still as fast as he drew near 'Twas wonderful to view How in a trice the turnpike men Their gates wide open threw. And now as he went bowing down His reeking head full low The bottles twain behind his back Were shatter'd at a blow. Down ran the wine into the road Most piteous to be seen Which made his horse's flanks to smoke As they had basted been. But still he seem'd to carry weight With leathern girdle braced; For all might see the bottle necks Still dangling at his waist. Thus all through merry Islington These gambols did he play Until he came unto the Wash Of Edmonton so gay; ...
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